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Sai Kung Hoi Arts Festival is officially opened on 16 November! From now until 15 January 2023, you are welcome to visit Yim Tin Tsai and Sharp Island to enjoy 9 unique pieces of local artwork, and to join the in-depth guided tours and exciting activities. Island Hopping Kaito Experience (Festival exclusive) The Sai Kung Hoi Arts Festival this year is launched with Yim Tin Tsai as the centre and extended to Sharp Island. To facilitate travel between the two islands, there will be island hopping kaito during the Arts Festival period to let visitors enjoy the special and exclusive island hopping experience in Hong Kong. >>>Pre-order Island Hopping Kaito Tickets Suggested visiting routes Sai Kung Hoi Arts Festival has 9 artworks on both islands. You can visit both islands in one day by the specially designed Island Hopping Kaito Experience. The following are the suggested island hopping routes: ISLAND HOPPING ROUTE 1: 4 to 5 HOURS RELAXING ROUTE This route allows you to see all the artworks in Yim Tin Tsai. At Sharp Island, you can see the artwork “Ocean Says” near the Sharp Island pier, 2 to 4 pieces of ceramic artwork of “A Grand Pineapple Bun Tour” near the starting point of the Sharp Island Country Trail from tombolo side, and have a distant view of the artwork “Moonrise in Daylight”, located on the other side of the tombolo, from the area around the pier. ISLAND HOPPING ROUTE 2: 7 to 8 HOURS FULL EXPERIENCE ROUTE This route allows you to enjoy all the artworks on Sharp Island and Yim Tin Tsai. It takes about 2 hours to hike the full Sharp Island Country Trail (round-trip), and it requires a certain level of physical fitness. Please plan your journey according to your physical conditions, and may plan for a shorter route as appropriate. Other exciting activities Visitors also can join the in-depth guided tours and other exciting activities, such as Live Action Role-Playing Game"War on Sharp Island", Zen Rock Under The Moon, and Salt Making Workshop. Please refer to the Sai Kung Hoi Arts Festival website for more activity details and application.
In order to provide more space to inspire greater imagination, Oi! rolled out an expansion project in 2019, in which an adjacent outdoor space of over 3,000 square metres was integrated with the original premises. The new space features a new two-storey building incorporating an exhibition and multipurpose venue. The brand new space is open to the public now, while Oi! is now launching 10 art projects, hoping to provide the district with more community art and leisure space, and to become a cultural landmark in Hong Kong. What is "Oi!"?Oi! is housed in the former clubhouse of the Royal Hong Kong Yacht Club, which was opened in 1908 on what was the waterfront in North Point. Following land reclamation work there in the 1930s, the building was initially converted into staff quarters for the Government Supplies Department and later into a storage facility for the Antiquities and Monuments Office. After it was allocated to the Art Promotion Office for revitalisation and restoration, the red-bricked Grade II historic building with a tile roof was renamed the Oil Street Art Space (Oi!), which opened to the public in 2013.Its name links the ideas behind it with its location: Oi! sounds similar to the address in Cantonese and conveys a call for people's attention while providing a platform where they can realise their dreams in art. The 10 art exhibitions and public engagement activities The 10 art exhibitions and public engagement activities launched by Oi! include two highlight exhibitions in celebration of the 25th anniversary of the establishment of the Hong Kong Special Administrative Region: "Joyful Trees (Arbores Laetae)" and "d'strict Remix". Other art projects include "Digital Muse", "Our Living Library", "Neverending Garden", "XCHANGE", "People-Plant-Place", "Three Gardens", "Oi! Sunday", and the outdoor artworks "Branching Benches" and "Mapping Oi!". Through this series of projects, Oi! sets out to connect art and the community, and to build a sustainable future through collective creativity and collaboration. For details of the art projects, please visit the website of Oi! or call 2512 3000 for enquiries.
You may browse selected articles from below e-databases via E-Account; or Library card; or Smart Identity Card allowed for Library Purposes; AND Password.If you have never applied for a library card or E-Account of Hong Kong Public Libraries, please visit the Hong Kong Public Libraries website to know more aboout the application details. 《If You Can Doodle, You Can Paint》 Introduction: This book was named one of Library Journal's Best Crafts & DIY Books of 2017! It will:- Dig for treasure/doodle- Observe, arrange, and study- Make folded books for doodle-ready surfaces- Copy your images with hand/eye coordination- Scan and enlarge your doodles- Add color combinations with colored pencil and acrylic paint- Create compositional grid paintings, and- Create a large complete painting! Author: Diane CulhanePublisher: Quarry Books，2017Source: OverDrive eBooks (Back to top) 《Anywhere, Anytime Art Crayon: An Artist's Colorful Guide to Drawing on the Go!》 Introduction: This inspiring art guide helps you reconnect with your creative side and the simple pleasure of drawing with crayons. It is designed to get you back to basics and drawing with confidence. Professional illustrator Monika Forsberg teaches you how to work with crayon, master basic strokes and techniques, and choose the right colors for your subjects. Author: Monika ForsbergPublisher: Walter Foster Publishing，2017Source: OverDrive eBooks (Back to top) 《讓水彩聽話：給初學者的繪畫技巧與建議，掌握水特性的5堂課》 (Please refer to the Chinese version) Author: 娜塔莉.帕拉迪絲.格拉帕Publisher: 一起來出版，遠足文化發行，2020Printed Book: Library CatalogueSource: HyRead eBooks (Back to top) 《零基礎. 第3彈, 水彩畫美食》 (Please refer to the Chinese version) Author: 王建傑Publisher: 野人文化出版，遠足文化發行，2020Source: HyRead eBooks (Back to top) 《素描的樂趣：零基礎也能輕鬆下筆的3大繪畫基本,路米斯素描自學聖經》 (Please refer to the Chinese version) Author: 安德魯.路米斯Publisher: 大牌出版，遠足文化發行，2017Printed Book: Library CatalogueSource: HyRead eBooks (Back to top) (The information is provided by Hong Kong Public Libraries)
Speaking of iconic Hong Kong’s urban streetscapes, you cannot miss the shop signs above the crowded streets. It is easy to find handwritten signs in our city, but can you identify their script styles? In addition to giving a unique look and feel, different scripts are written sensibly to match with the function, users and space of a building.In the video “Street Calligraphy in Hong Kong” below, , Raymond Tang, curator of the Hong Kong Heritage Museum, will explore aesthetic calligraphy above and below the ground with us.
To give new art inspiration to the vibrant development of Tuen Mun, a district with long history and significant local characteristics, the Art Promotion Office has launched "Viva! River" featuring local artists/artist duos Adonian Chan, Kay Chan, Ken Lo, Ricci Wong, Cold Ears Factory (Eastman Cheng and Joey Leung) and La Belle Époque (Billie Ng and Mary Cheung). Six sets of artwork including sculptures, urban furniture, a community weaving piece, and even an interactive installation with music elements have all been installed along the Tuen Mun River — an artistic journey begins here! The participating artists have visited different places, such as schools, malls, parks and housing estates. Various kinds of collaboration have also taken place in the communities, where the public and artists exchange ideas to envision a more vital public space from the perspective of art and design.Wish to stay at home to have a view of the artworks and attractions in riverside? Don‘t miss the "Viva! River" Virtual Tour which offers an interactive 360-degree experience! ．Please swipe the screen to experience the 360° virtual tour ．For a better experience, you may change the video quality to 1080s or above (The video is boardcasted in Cantonese) For the details if the "Viva! River" project, please visit the Art Promotion Office website.
(The photo is provided by Information Services Department) "My Main Stage" Music Production Pilot Programme is a part of the Leisure & Cultural Services Department’s 2019-20 General Education in Arts Programme for tertiary students. Launched in September last year, its goal is to nurture a new generation of aspiring music talent.Mastering musicThe pilot programme’s founder Chiu Tsang-hei mobilised other music and songwriting professionals in the industry, like Eric Kwok and Chan Wing-him, to offer students advice. “I started the My Main Stage Music Production Pilot Programme three to four years ago. It was intended to hunt for potential music talent in secondary schools and prepare them for a career in the music industry. “The Leisure & Cultural Services Department suggested that I should expand the programme to tertiary institutes. So the pilot programme was included in the General Education in Arts Programme for tertiary students last year.” He explained that the assistance from the Government is crucial. It saved him from having to liaise with different institutes and made the recruitment process simpler. The pilot programme comprises a series of workshops, masterclasses, production coaching and performances aimed at elevating students’ music production skills. (The photo is provided by Information Services Department) Rachel Yu studied music at her university due to her passion for music as a youngster. Inspired by the touring talks held by eminent music producer and composer Chiu Tsang-hei, she entered the My Main Stage Music Production Pilot Programme early this year. “I joined this programme because I wanted to seek professional advice from very experienced tutors, for example, in writing lyrics, composing or music production. I wanted to polish up my musical skills,” said Rachel. In an achievement that took almost a year of hard work under the guidance of local music professionals, Rachel was able to produce the best version of her very own song.Coaching onlineFaced with the COVID-19 epidemic, Chiu said technology has played a vital role in making it possible for him to communicate with students while practising social distancing. He has made good use of video conferencing software and online teaching technology to stay in touch with students. “It enabled me to provide them with comments and critiques after I listened to their songs. It was just as easy for them to send their revised work back to me. “I could also use emails and other tech tools to help me so I didn’t have to rely on face-to-face teaching.” Rachel said Chiu’s support is invaluable as he has enlightened her on improving her vocals. “At first, I sang very badly but he forced me to practise every day. Every day I sent him a music demo of me practising the song. “For more than two weeks, I kept practising the song and my performance got better. When I recorded the vocal part, it was a lot better than before.” Trustworthy programmeAnother participant, Bu Yu, described the programme as a trusted platform to learn from local music professionals. “We did not have the chance to learn pop music production in secondary schools. We could only enrol in music school classes on the market. “Such classes may not be reliable and the teaching quality is not guaranteed. So I could only learn music production by myself before I joined the programme,” said Bu. One of the tutors is Arnold Chan who believes the pilot programme is a rare opportunity for students to learn as much as they can about music production in about a year. “I know a lot about the technical aspects of music production, for example, the mixing and recording process, compression, EQ - which is equalisation skills - and some balance skills. “The students would have to spend a lot of time if they had to learn these skills by themselves from the Internet and they may have some problem-solving issues that require help from us.” Arnold’s advice to students is to seize every opportunity to explore all aspects of music production if they truly want to excel in the music industry. “For top singer-songwriters and producers these days, they have to do all kinds of jobs. So I think they have to grasp as much experience as they can to try to meet professional standards.” (Information provided by Information Services Department)
What do you associate when you come across adjectives such as fluffy, round and lovable? Most of us may think of girly knick-knacks or cartoons. But what if a man is drawn to fluffy stuff, and creates round and endearing characters? There is nothing “unmanly” about it, of course, and the male gender is fully entitled to “being cute”, too. Li Ka-fai, Ziggy is the man of cute. A graphic designer and illustrator by trade, Li has also dabbled in arts research and handicraft. While his mind is usually logical and practical as required by a designer, deep down he is also a man of sensibility. Bringing out forgotten childlike qualities and warm fuzzy feelings are some of the effects his works have on his audience.J: JCCACL: Li Ka-fai, ZiggyJ: What prompted you to embark on arts research? And what does being a freelancer mean to you? L: I had been teaching drawing part-time, and originally planned to be an arts teacher in a secondary or primary school upon my completion of a diploma in education. After an internship, however, I realised that teaching arts at school is not at all how I expected. It was difficult to concentrate on teaching with a heavy load of administrative duties, not to mention the big classes I had to look after. Therefore, I decided not to pursue a teaching career despite being offered a position. Coincidentally, at that time an acquainted professor invited me to assist with her research on arts theory, I accepted the offer and, five and a half years flew by, I had supported the research, as well as designed the interface of the related webpage and mobile application. Being a freelancer is a one-man band. There are definitely more things to learn than a normal desk job. I rather enjoy liaising with the clients. I used to be annoyed and unwilling to compromise when met with demanding clients. But I have since learned to identify their concerns and perspectives, which is quite useful in having a persuasive discussion. Whenever I finished a project, I feel “levelled up” and elevated to a new phase in life. J: Are your works usually inspired by everyday objects? What usually draws yourattention? L: I like to observe and take pictures of objects that resemble human faces, such as power sockets – with two circles and a straight line staring back at me as if they were alife. (Ed: This is called Pareidolia in study) Some years ago, I participated in the “Between Objects” exhibition at the Hong Kong Baptist University Communication and Visual Arts Building, which showcased our connections with everyday objects. For this exhibition, we borrowed three erasers and recorded their history, including the time spent with their owners. The interesting thing about erasers is that they are rarely used up completely, but seem to grow legs and would go missing suddenly. Meanwhile, for the work about a crayon – Getting Old in One Painting, I drew inspiration from human growth. When we grow up, our height increases, life experience accumulates with age. On the contrary, a crayon simply “ages” and reduces in size by every “living” day. J: There is a delicate if not youthful and feminine touch in your drawings. Is this soothing and adorable visual style somehow reflective of your mind? L: I am used to doodling with felt pens and markers. This is how my character Fat Boy, with beady eyes and a round figure, was created. At handicraft fairs, I am often told by customers that they are surprised to know these illustrative works are drawn by a man. I think this drawing style may be related to my preference for fluffy things, as they remind me of my comfort blanket from childhood. Even as a grown man, I am still rather childish (chuckles). Original article【JCCAC Intimate Portrait】: https://www.jccac.org.hk/?a=doc&id=7564
Heterotopia is “the other space” – an existence that is both real and unreal, between physical space and utopia (virtual space). Besides cinema, museum and zoo, where else can we find heterotopia in reality? Graduated with a Bachelor of Fine Arts at The Chinese University of Hong Kong (CUHK) and a Master of Arts Fine Art at the University of Reading (UK), emerging artist Sze Mei-ting, Muses has chosen ceramics as her primary medium for sculpture. Sze uses sculpture as her potent response towards different spaces. What would her ideal arts space look like? Perhaps her studio is an archetype of a heterotopia. J: JCCACS: Sze Mei-ting, Muses J: What motivates you to explore the themes of “animal rights” and “heterotopia”? S: After watching some videos on the ins and outs of slaughterhouses during my undergraduate years, I decided to become a vegetarian. It also led to my creation of a series of works on animal rights, including this photorealistic oil painting. On the front, viewers see the portrait of a pig, while the edges show patterns of pork meat. It alludes to the fact that a pig, no matter how “cute”, will eventually be consumed one day. Nevertheless, more recently I tend to touch less on animal rights in my arts because I think writing about it and activism are probably more effective and suitable. Besides, I prefer my artistic creations be purer in essence. Heterotopia is a concept elaborated by French philosopher Michel Foucault to address the differences between a real space and a utopian space, and to describe the otherness and significance when combining the two together. There are plenty of heterotopias around us, with zoo being an example. A zoo may look like a utopia for humans and animals, but in fact it is an illusion constructed in the realms of reality. An arts space also shares the same qualities between reality and virtuality. Therefore, I wish to challenge the boundary of this subject through the interaction between arts and space. J: The biggest differences between studying arts in Hong Kong and the UK... S: In Hong Kong, the bond between tutors and students is very strong and intimate. We keep in touch even after graduation. For example, I had the opportunity to learn from ceramicist and CUHK alumni Sara Tse after graduation. In Hong Kong, education is generally more inclined towards spoon-feeding, while in the UK it is more focused on academic freedom and proactive learning. Professors encourage students to delve into a topic they pick by themselves, and students are expected to be self-motivated and to dig deep with the resources available. Galleries and museums visits and internships during my time in the UK had been life-changing experiences for me. J: I understand that you were engaged in arts administration part-time at the Oi! arts space. What was the most memorable exhibition or arts programme you were involved in? S: “Play to Change” was a rather memorable programme that spanned more than two years. We co-organised 19 exhibitions with 19 different groups of architects. I was mainly responsible for arts administration, as well as translation and editing of promotional materials. The biggest reward from this programme is a true understanding of community arts. I was also able to learn from the architects for their insight and ingenuity on the handling of spaces. Original article【JCCAC Intimate Portrait】: https://www.jccac.org.hk/?a=doc&id=7740
Are you interested in gaining experience in the arts and creative industry? Over the years, Hong Kong Arts Centre has offered opportunities to local and overseas university students to gain an exciting and fulfilling experience through our internship and volunteer schemes. Our internship programme provides an excellent opportunity for their students to explore their potential through hands-on work experience, gaining exposure to the different aspects in the operation of the Hong Kong Arts Centre. The learning experience is a stepping stone to a promising future in arts administration and arts education. Internship opportunities are available for the following categories:1. Events & Visitor Service; 2. Programmes (screening, exhibition, performance, learning);3. Strategic Development & Membership;4. Marketing & Promotion. Requirements1. University student aged 18 or above;2. Holder of the Hong Kong Permanent Identity Card or possess a valid visa permitting internship in Hong Kong; and 3. Be enthusiastic about our vision and mission. Application periodWe accept applications throughout the year, and opportunities are available on a full or part-time basis. How to applyPlease send your application with resume to email@example.com. Please visit the official website for more details.
Orchestras in Hong Kong Want to find out more about music and dance? In Hong Kong, you will find many arts organisations that host music and dance programmes from time to time – making it easy to find what you are looking for. Here are just a few of them. If you are an orchestral music fan, a good place to start your discovery is to enjoy the performances of the Hong Kong Philharmonic Orchestra, the Hong Kong Sinfonietta and the Hong Kong Chinese Orchestra. Chinese music For Chinese music, Introduction to Chinese music [Chinese version only] introduces you to various Chinese musical instruments. For you Chinese opera fans, you can get a glimpse into ten of the distinct branches of Chinese opera in Introduction to Chinese opera [Chinese version only]. Music channels of RTHK You can also tune in to Radio Television Hong Kong (RTHK)’s Radio 4 (classical music), Radio 5 (Chinese music opera) [Chinese version only] or Radio 2 (pop music) [Chinese version only] to enjoy your favourite music. Dance groups in Hong Kong If you are into dance performances, check out the programmes hosted by the Hong Kong Dance Company, the City Contemporary Dance Company and the Hong Kong Ballet. Performing venues Many music and dance performances take place in the Hong Kong Academy for Performing Arts, Hong Kong Arts Centre and the performing venues of the Leisure and Cultural Services Department (LCSD). Other performances The LCSD presents a year-round programme of performances by visiting and local artists. The most updated performance information If you are looking for the most updated performance information, just visit the Latest Cultural Programmes or the official websites of the performing organisations. Major arts festivals Arts festivals bring fantastic programmes for your enjoyment year-round. Around February and March, you can enjoy the programmes of the Hong Kong Arts Festival. There are also the International Arts Carnival in the summer and the Thematic Arts Festival during October and November. Young Audience Scheme If you would like to have more involvement in music and dance, you have many channels to choose from. Young Audience Scheme organised by Hong Kong Philharmonic Orchestra is designed for local full-time students aged from 6 to 25. Young Friends of Hong Kong Arts Festival Young Friends of Hong Kong Arts Festival is for full-time secondary and post-secondary students. Friends of Hong Kong Chinese Orchestra And Friends of Hong Kong Chinese Orchestra welcomes everyone to apply for. Being a member, you will enjoy special treats and exclusive activities offered by the organisers, and student members can enjoy free performances. Music & art-related programmes If you want a taste of performing on stage, there are many training courses and activities for you. Check out the training programmes and events organised by the The HKCO Orchestral Academy, Excel, the Hong Kong Academy for Performing Arts and the Music Office (including the training classes, orchestras, choirs and music promotion activities). They lead you take your first steps into the performing arts.